Wall Street Movie Review & Film Summary (1987 ..

Wall-E is a sci-Fi film that shows displays a story of lonely robot that has been left on Earth in order to clean up the mess humanity's has made. Disney-Pixar's, Wall-e, through analyzation is a film that is capable of opening a lot of eyes to how human beings treat the environment and where the future of the earth could be headed if human beings do not wake up and start treating it better than they are doing. The film, Wall-e, claims that if people do not start becoming more responsible with their ways, the planet could be demolished. Throughout the movie we are given many unrealistic and misleading examples. Wall-e was able to send the message of how Earth world could get to the point of destruction in an unreasonable way. Drinking food out of cups, a saying, and reinstating Earth from nothing are all improbable examples of what is revealed in the film (Hopps). With that said, he moral depicted in this Sci-Fi movie shows how humankind's over dependence on technology can pull people from wonders of creation and hinders them from be able to live life to the completest will be carefully inspected through a narrative viewpoint.

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...Analysis of Wall-E . For as little dialogue as there is in the film, Wall-E is an awesome movie which is evidenced by many of the awards it has won. Upon beginning to watch Wall-E, I did not expect an animated film to have such great meaning and address many of the societal issues it does in the film. The main issues Wall-E touches on are consumerism, technology, and environmental problems. The movie brings light to these issues by placing the setting in 2805 and showing the audience what these issues could be like hundreds of years down the road. Many of the readings we have done in class give reason to believe the Earth and civilization could become what it is in the movie Wall-E. The first societal problem brought to light in the film is environmental related issues. The first thing we see in the film are a bunch of stacks of garbage piles, sometimes bigger than skyscrapers. This undoubtedly ties into how we go about disposing of our garbage and sewage today. According to the article read in class called “Why Consumption Matters”, the average American in 1990 would throw out four to five pounds of garbage a day, while being responsible for 124 pounds of behind the scenes consumption. This behind the scenes consumption includes construction materials, fossil fuels, industrial materials, forest, and metals amongst others. We must also keep in mind that this is a 1990 figure, and that Americans consume significantly more in 2014. It is statistics like these that make...

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Like Stardust Memories, Deconstructing Harry follows an artist attending a ceremony in his honor and reminiscing over past relationships. Like (in which a character steps off a movie screen and falls in love with an audience member), it knocks down the wall between fiction and reality—Harry (Allen), a writer possibly , meets several of his creations. And, as in any number of Allen's films, the protagonist worries about his place in the cosmos. Nevertheless, Deconstructing Harry feels distinct from the rest of the catalog, because Allen plays a character who is not just annoying or neurotic but actually hateful. Harry borrows story lines from his real life for his fiction and in the process alienates his friends by revealing their secrets and portraying them as ridiculous. He is stubborn and refuses to apologize for his misbehavior, even when he sleeps with his psychologist-wife's patient. ("I'm as much a victim as you! You think getting a blowjob from a big-bosomed 26-year-old is a pleasurable thing for me?")

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However there is a brighter, more contented side to this theme of the movie. Eve and Wall-E are both two machines that are talented with artificial intelligence, and maybe beyond any other robot in the movie because they are the only machines that are able to create their own humane personalities (Ball). Rather than turning them into villains, these characters turn themselves into heroes that act just like human beings. It is a fascinating reversal of this classic science fiction subject.

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While the first act of "fell out of the sky" for Stanton, he had originally wanted aliens to plant EVE to explore Earth and the rest of the film was different. When WALL-E comes to the , he incites a -style rebellion by the robots against the remnants of the human race, which were cruel alien Gels (completely devolved, gelatinous, boneless, legless, see-through, green creatures that resemble ). James Hicks, a physiologist, mentioned to Stanton the concept of and the effects prolonged would have on humans living in space for an inordinately extended time period. Therefore, this was the inspiration of the humans degenerating into the alien Gels, and their ancestry would have been revealed in a -style ending. The Gels also spoke a made-up gibberish language, but Stanton scrapped this idea because he thought it would be too complicated for the audience to understand and they could easily be driven off from the storyline. The Gels had a royal family, who host a dance in a castle on a lake in the back of the ship, and the curled up into a ball when returning to Earth in this incarnation of the story. Stanton decided this was too bizarre and unengaging, and conceived humanity as "big babies". Stanton developed the metaphorical theme of the humans learning to stand again and "grow[ing] up", wanting WALL-E and EVE's relationship to inspire humanity because he felt few films explore how societies come to exist. The process of depicting the descendants of humanity as the way they appear in the movie was slow. Stanton first decided to put a nose and ears on the Gels so the audience could recognize them. Eventually, fingers, legs, clothes, and other characteristics were added until they arrived at the concept of being fetus-like to allow the audience to see themselves in the characters.

Essay by Paul Graham, based on a talk given at the Harvard Computer Society.

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At the British , which is voted for by the public, it won Best Family Film. It was also voted Best Feature Film at the . WALL-E was listed at #63 on s online poll of the 100 greatest movie characters, conducted in 2008. In early 2010, ranked #1 in "Best Movies of the Decade". In magazine's 2012 poll of the greatest films of all time, is the second highest ranking animated film behind (1988), while tying with the film (2001) at 202nd overall. In a 2016 poll of international critics, it was voted the 29th greatest film since 2000.