Chinatown (1974) - Movie Review / Film Essay

This class is about Detective Film and Fiction. All movies related to Detective film and fiction. I need
to answer these questions.
1. Compare and Contrast the movie Chinatown(1974) to The Two Jakes(1990) .
2. Discuss the depiction of women in current film, videos, and advertising. Is the femme fatale image
apparent in these areas? Cite specific examples from current films, videos, and advertising.
3. Discuss "When The Sacred Gin Mill Closes as a hard-boiled detective novel. Discuss Matt
Scudder as a hard-boiled detective. Where does the novel follow the tradition?Where does it
depart? How does Matt Scudder follow the tradition? How does he depart from it?

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Chinatown was successful in its attempt to formulate a film noir movie in part because it followed the design of previous films of its kind. The most obvious of these films that Chinatown followed was The Maltese Falcon. It was understandable that Chinatown was a film noir movie because there were many instances used throughout it that related to The Maltese Falcon...
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Chinatown movie analysis essay - …

Roman Polanski's 1974 China Town is an intriguing movie that keeps the viewer on the edge trying to speculate on what comes next. It is based on detective Jake Gittes a polished and efficient private investigator (Jack Nicholson) who is efficient in his work until he is approached by Evelyn Diane Ladd who assigns him a task of spying on her cheating husband. He later encounters Mrs. Mulwray (Faye Dunaway) the bona fide wife and realizes that he was misused and played by the imitator. His quest to get to the bottom of the story leads to uncovering of incest, conspiracy, corruption and murder. This essay presents a feminist analysis of Chinatown Movie. It discusses the relationship between father and daughter and reviews how women are treated in the movie as well as how their relationship with men is portrayed.

R.D. Heath writes novels and osting as Mactheknife4 , Movie forums participant R.D. Heath wrote this essay about Roman Polanski's
Essay/Term paper: Movie: delta force - suicide in chinatown

Chinatown movie essay | HK Battle

In the end, we finally see why Chinatown is named as it is, despite the fact that only the last five minutes or so takes place in that location. The Chinatown district's lawlessness and political immunity has extended to encompass all of L.A. (Slade, 91), and its inscrutability due to prevailing ignorance (of its dominant foreign [Oriental] culture, as demonstrated by Gittes's' tasteless Chinaman joke from the barber shop) has extended to encompass human existence as a whole. Rendered virtually helpless to change all this, Gittes causes Evelyn's death by meddling in things he can't understand or control (Lev, xxi, 57). Gittes' failure to save Evelyn and Katherine is a reenactment of an earlier failure during his career as a cop in Chinatown - driving home the futility of an individual trying to beat the prevailing evil in the world around us (Man, 142-143). Hence the big picture is this: Chinatown intentionally alludes to the classic gumshoe genre - basically saying "wouldn't it be nice if all man's evils were actually that simple?" - and then capsizes those established expectations as a way of portraying the loss of faith in American society (Man, 139). How should we, the audience, respond to this? Perhaps it should be the same way Gittes's operative Walsh does with the movie's closing statement: "Forget it... it's Chinatown."

Compare and Contrast the movie Chinatown(1974) to The Two ..

The water scandal in Chinatown, made in 1974, can be seen to stand for such then-current issues as they OPEC oil cartel, the Agnew bribery, and, most obviously, the Watergate scandal. The association of the "threat from water" motif with the fragility of human existence is a common archetype in movies. The motif usually involves physical danger or death, whether in the form of murder by drowning (The Parallax View), shipwreck disaster (The Poseidon Adventure, Titanic), or creatures from the sea (Jaws, 20,000 Leagues Under the Sea). Here, it is a deeper form of fragility; the whole city is falling prey to a behind-the-scenes political/business scandal. Even the man perpetrating the scandal, Noah Cross, has a sort of moral fragility that allows the greed and power from the scandal to consume him. Cross thinks he is doing good in all his evils; in his mind, he is helping L.A. by expanding it into the valley and "bringing it to the water", and he is protecting and raising Katherine like a good father should. What even he doesn't see, in all his power and influence, is that his treatment of Evelyn and Katherine is an extension of his exploitation of the business world - the water scandal - to a more personal/intimate/sexual level (Lev, xxi, 54, 56-58).

Chinatown (1974 film) - Wikipedia

The scene where Gittes discovers the flaw in Evelyn's eye is also key because of the attention it brings to "vision" as a central theme in the movie. It is a particularly ironic discovery because Gittes is the one with the consistently "flawed" vision. Another literal occurrence of this theme is the key piece of evidence Jake finds that eventually leads him to Noah Cross as Hollis Mulwray's killer: a pair of glasses in the pool behind Evelyn's house. But there are far more non-literal examples of this theme: the superficial cleanliness of L.A. and of Chinatown's characters, the snooping and spying that Gittes does to earn his living, and Gittes' continual blindness to the truth. Another sight reference is Cross's gigantic vision of incorporating the San Fernando Valley into Los Angeles, which Gittes never fully perceives. Gittes' shortsightedness comes into play one last time in the closing sequence of the film: his faith in the law force that he has quit is still so strong (despite all his external convictions about its powerlessness and his continual defiance of its mandates) that he trusts that they can fix everything at the end once they hear the truth from his mouth (Slade, 91). Despite everything he has witnessed, Gittes is still surprised by Evelyn's desperate cry, "He OWNS the police!" And, just as they did in his days as a Chinatown cop, the police force lets him down by killing and convicting the wrong person - Evelyn Mulwray - so that Cross goes unharmed (Man, 145). This recurring "vision" motif plays itself out once again in the final scene of the film, with Evelyn bleeding from her eye after she is shot to death, and Cross covering the young Katherine's eyes to shield her from Evelyn's death (and lead her away into his world, where she is probably doomed to repeat the life of her mother/sister before her).