Free sample essay on Casablanca:
Movie Analysis Of Casablanca Film Studies Essay
Movie Magic, however conceptual and abstract a notion, offers an abstract understanding for how motion pictures converge from multiple points of artistic influence under the sometimes chaotic circumstances of their creation. Filmmaking remains the only collaborative artform where craftsmen and artists group together and exact their efforts in unison to construct a single product. And though the director oftentimes receives sole credit for the final result of a film, the cast and crew contribute their individual influence into the harmonious gathering of technical and narrative composition. Casablanca is perhaps the only film that, given its infamously frenzied production and now iconic status in the annals of film history and popular culture, fulfills all the possibilities inherent to Movie Magic. Made to be another cookie-cutter product of The Dream Factory, the production amassed top Warner Bros. talent working from a script that had no ending. That the film was ever completed is miraculous; writers rushed fresh pages to the set, while actors performed without knowing their motivations. But any number of Hollywood films released during The Golden Age, an era whose arguable timeline exists from the mid-1920s and the mid-1950s, were assembled under similar conditions. And yet, only the timeless Casablanca has surpassed all precincts of era and story to gain status over the years, increase in popularity and enjoyment, and still inspire wonder even upon close reexamination.
Casablanca movie review essays - …
Writing about the film today can serve only to retread or flesh-out the scores of exhaustive studies currently available, because, unanimous throughout the writings on Casablanca is the bewilderment for how it came together. Much has been made of the bizarrely efficient disorganization that uniquely helped some of the picture’s greatest moments retain their historic place. No matter how accomplished the scholar or enthusiast examining the picture, none of them pinpoint exactly why the film turned out so well, if in fact there is any reasoning behind it besides pure luck. Their analyses chart the progress of happenstance and twists of fate, arousing equally appropriate amazement and bafflement. Anecdotes are told on how various scenes came this close to being something completely different, and occasional attributions are given to producer Hal B. Wallis, director Michael Curtiz, the many writers, or the undeniable charisma of the actors. What slowly emerges from the assorted investigations is an understanding that by some marvel Casablanca became the film we know and love today.